Penerapan Peplum Pada Cheongsam Dress
DOI:
https://doi.org/10.59653/jimat.v3i02.1641Keywords:
Peplum, Cheongsam, dressAbstract
The purpose of this study was to determine the process of making peplum on Cheongsam Dress and find out the results of making peplum on Cheongsam Dress. The method used in this study is the creation of works consisting of four stages namely; pre-design stage, design stage, realization stage and presentation stage. The results of this study are: The process of making peplum on Cheongsam Dress starts from making patterns and then cutting materials, sewing process, to the finished result of applying peplum on Cheongsam Dress. The selection of material characteristics using thick and shiny duces with a light brown color makes the peplum on the Cheongsam Dress look elegant, and there is a phoenix brocade accent for decoration on the Cheongsam Dress.
Downloads
References
Alumni Sastra Tionghoa Universitas Kristen Petra Terhadap Kebaya dan Qípáo Sebagai Identitas Diri 四位彼得拉基督教大学中文系毕业生对芭雅服与旗袍成为身份标志的看法. Century: Journal of Chinese Language, Literature and Culture, 1(2), 74-87
Ambrose, Gavin dan Paul Harris. 2006. The Visual Dictionary of Graphic Design. Lausanne: AVA Publishing SA.
Benson, S. J., & Suhailah Salim, S. (2017). Consolidation of flaking painted decorations on a 20th century cheongsam dress. AICCM Bulletin, 38(1). https://doi.org/10.1080/10344233.2017.1341722
Calasibetta, C,. 2003. The Fairchild: Dictionary of Fashion. Cetakan ke-3. New York: Fairchild Publication, Inc
Cabrera, E. (2024). Between swords and sandals. A historical and iconographic analysis of the orientalist posters in the Italian peplum halfway through the 20th century. Fronteiras(Brazil), 43. https://doi.org/10.36661/2238-9717.2024n43.13938
Chew, M. M. T. (2022). The Instrumental Consumption of Ethnic Culture: Assessing Two Economically Driven Ways of Consuming the Cheongsam in China. SAGE Open, 12(2). https://doi.org/10.1177/21582440221097928
Dineva, P. (2023). Investigating sustainable design of 3D peplum clothes. AIP Conference Proceedings, 2889(1). https://doi.org/10.1063/5.0173109
Finnane, A. (2008). Changing Clothes in China: Fashion, History, Nation. Columbia University Press.
Fransisca, E. S. 2008. Representasi China melalui Qipao, Pakaian Wanita Tradisional China. Jakarta: Universitas Indonesia.
Goet Poespo. 2005. Pemilihan Bahan Tekstil. Yogyakarta: PT Kanisius
Heriyana, Ade. 2018. Informan dan Pemilihan Informan dalam Penelitian Kualitatif. Jakarta: Research Gate.
Jiang, Y., Zhang, X., & Qin, F. (2018). Study and Evaluation of Cheongsam Silhouette Perception Based on Cognitive Behavior. Journal of Beijing Institute of Clothing Technology (Natural Science Edition), 38(3).
Linny. 2006. Pandangan remaja putri keturunan Tionghoa di Surabaya terhadap penggunaan qipao. Universitas Kristen Petra.
Oscar Cabrera, E. (2024). Entre espadas y sandalias: Un análisis histórico e iconográfico de los posters orientalistas en el péplum italiano hacia mediados del siglo XX. Fronteiras: Revista Catarinense de História, 43. https://doi.org/10.36661/2238-9717.2024n43.13938
Pratiwi, Djati. 2001. Pola Dasar dan Pecah Pola Busana. Jakarta: Kanisius
Ratih, S., Sri, W,. 2015. Pengaruh Model Direct Instruction Berbantuan Multimediaterhadap Motivasi Belajar Dan Pencapaian Kompetensi Pembuatan Desain Busana. Jurnal Pendidikan Vokasi, Vol 5, No 3
Shih, C. yu. (2021). Engendering international relations of Shanghai: the metaphor of cheongsam and the construction of post-Western identities. International Politics, 58(5). https://doi.org/10.1057/s41311-020-00274-0
Sri Widarwati. 2000. Desain Busana II, Yogyakarta: Universitas Negeri Yogyakarta
Sumaryati, C,. 2019. Kamus Tata Busana. Jakarta: Badan Pengembangan Bahasa dan Perbukuan
Z. Liu, “The Cultural Meaning and Aesthetic Implication of Chinese Cheongsam,” 2018.
Downloads
Published
How to Cite
License
Copyright (c) 2025 Retno Fajar Suryani, Inty Nahari
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
